But more than that, he is an amazing and prolific artist with a vivid imagination, working in acrylic on panel. As Portland, Oregon's Froelick Gallery describes him, "Stephen O'Donnell paints gender-defying self-portraits in which he is adorned in the dress and hairstyle of past centuries. He also paints finely detailed images of animals and birds." If I had some extra cash, I would happily invest in one or two of his works (I am especially drawn to the birds and animals). He has an interesting blog too—Gods and Foolish Grandeur: Life and the Arts . . . from a Retrograde Perspective.
Here are a few of his pieces:
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| A Boy and His Dog (2017) |
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| Imminent Encounter (2016) |
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| Le Monocle (2012) |
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| Les Deux (2009) |
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| Les Perruches (2012) |
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| Venus Cosmeticus (2015) |
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| Pan (2015) |
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| Berries (2016) |
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| Plunder (2017) |
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| Deceive (2019) |
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| Savor (2017) |
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| Lady (2017) |
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| Twist (2017) |
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| Found (2015) |
















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