Not really a book report: Solar

12. Ian McEwan, Solar (2010) (6/28/26)

As I've mentioned before, I don't listen to books. But I have an Audible account (don't ask me why), and back in May a writer friend said she had enjoyed listening to Solar by Ian McEwan. I'd read Atonement by McEwan, and was impressed by it. So I loaded Solar into my queue, and one day when I couldn't find an appealing podcast to listen to on my more or less daily walk, I decided to give it a go.

I was not hooked, exactly—but once I'm walking, if I don't have to stop and fiddle with my phone (and as I said, I didn't have any immediate alternatives), I just keep listening. 

This happened a few times, at intervals. So given the combination of me being a distracted listener—when I'm walking, I'm always visually engaged, looking for a photo of the day—and of having no real sense of the structure of the book—"chapters" were enumerated on my screen, but my ear couldn't really discern starting and stopping points for such, it all just seemed to flow like a braided stream—and of listening to it in maybe a half dozen sessions over the course of weeks . . . I'm afraid I have a very diaphanous impression of this book. 

But it all starts and ends with an overall antipathy toward the main character, physicist Michael Beard, Nobel Laureate—but also narcissist, stealer of ideas, framer-for-murder, womanizer, and generally unpleasant specimen of manhood. And he doesn't improve.

The story is also sort of about climate change, and trying to tackle the problem—but Beard doesn't really believe in climate change, he's just stumbled on someone else's attempt at a solution. And he decides to implement it. Why not? 

In the end, everything falls to bits. The final paragraph caught me by surprise (at least with a print book you can anticipate that you're coming to the end, but here: it just ended, what?). And I cared not a whit. The overall mood of the book is one of cynicism. And I don't need more cynicism in my life.

Perhaps the most interesting part of the book was the epilogue, the address at the Swedish Academy outlining Michael Beard's accomplishments in physics (with a dash of Richard Feynman) as he's awarded his Nobel Prize. And then there was an interview with McEwan, talking about the book—hearing about the writerly process was interesting. For example, that a somewhat random chapter about a visit to the far north of Norway to view climate change in action was based on a trip McEwan himself took, which in turn became the initial inspiration/instigation for the book—that was worth learning about. And it turned out the Swedish Academy address wasn't even written by McEwan, but by a physicist friend of his. Maybe that's why I liked it so much.

So far, listening to audiobooks, I've been really glad I took on Percival Everett's James—that book was, I think, enhanced by the reading voice. The Testament of Mary was wonderful as read by Meryl Streep, but I wonder if it might not have been a teeny bit better if I'd simply imagined my own voice of Mary as I read the words on the page. With Solar, I suspect I would have quit reading, turned off by the protagonist. So it's only the narrator who kept me going. Something to do while walking. But maybe simple silence, being with my own thoughts, is a better alternative.