Not really a book report: Solar

12. Ian McEwan, Solar (2010) (6/28/26)

As I've mentioned before, I don't listen to books. But I have an Audible account (don't ask me why), and back in May a writer friend said she had enjoyed listening to Solar by Ian McEwan. I'd read Atonement by McEwan, and was impressed by it. So I loaded Solar into my queue, and one day when I couldn't find an appealing podcast to listen to on my more or less daily walk, I decided to give it a go.

I was not hooked, exactly—but once I'm walking, if I don't have to stop and fiddle with my phone (and as I said, I didn't have any immediate alternatives), I just keep listening. 

This occurred a few times, at intervals. So given the combination of me being a distracted listener—when I'm walking, I'm always visually engaged, looking for a photo of the day—and of having no real sense of the structure of the book—"chapters" were enumerated on my screen, but my ear couldn't really discern starting and stopping points for such, it all just seemed to flow like a braided stream—and of listening to it in maybe a half dozen sessions over the course of weeks . . . I'm afraid I have a very diaphanous impression of this book. 

But it all starts and ends with an overall antipathy toward the main character, physicist Michael Beard, Nobel Laureate—but also narcissist, stealer of ideas, framer-for-murder, womanizer, and generally unpleasant specimen of manhood. And he doesn't improve.

The story is also sort of about climate change, and trying to tackle the problem—but Beard doesn't really believe in climate change, he's just stumbled on someone else's attempt at a solution. And he decides to implement it. Why not? 

In the end, everything falls to bits. The final paragraph caught me by surprise (at least with a print book you can anticipate that you're coming to the end, but here: it just ended, what?). And I cared not a whit. The overall mood of the book is one of cynicism. And I don't need more cynicism in my life.

Perhaps the most interesting part of the book was the epilogue, the address at the Swedish Academy outlining Michael Beard's accomplishments in physics (with a dash of Richard Feynman) as he's awarded his Nobel Prize. And then there was an interview with McEwan, talking about the book—hearing about the writerly process was interesting. For example, that a somewhat random chapter about a visit to the far north of Norway to view climate change in action was based on a trip McEwan himself took, which in turn became the initial inspiration/instigation for the book—that was worth learning about. And it turned out the Swedish Academy address wasn't even written by McEwan, but by a physicist friend of his. Maybe that's why I liked it so much.

So far, listening to audiobooks, I've been really glad I took on Percival Everett's James—that book was, I think, enhanced by the reading voice. The Testament of Mary was wonderful as read by Meryl Streep, but I wonder if it might not have been a teeny bit better if I'd simply imagined my own voice of Mary as I read the words on the page. With Solar, I suspect I would have quit reading, turned off by the protagonist. So it's only the narrator who kept me going. Something to do while walking. But maybe simple silence, being with my own thoughts, would have been a better alternative. But no, I'm glad I listened to Solar. It at least made me consider how one might pull off an unsympathetic character, and make you care. It's possible, I know.

Travel again, 25 years on

In 2001 we traveled to southern Africa, the lure being a total eclipse (on June 21) in Zimbabwe. But while we were in the area, we figured we'd stick around. After two weeks on the eclipse tour, we spent another two weeks in Botswana on another tour that I booked through a South African company (in those days, the internet was still a place where you might be interacting with a dog, who knew? but in this case the random selection worked out just fine and we had a marvelous excursion through various national parks, including the exquisite Okavango Delta), and finally two weeks in Namibia with a South African climber I also rustled up on the internet, Richard Behne—in order to do some climbing. It was a trip of a lifetime. Here we are in Zimbabwe (note the elephants), then in Namibia atop Spitzkoppe, the highest mountain in the country, and on the Wattenberg plateau.

Back then, I was still using a film camera, so the photos I took were slides, some of which I digitized—but apparently didn't save at full resolution. They're blurry and grainy, but they give some idea of some of what captivated us. For the following photos, you can go here to see the images individually and for some description.

I would love to return to that part of the world—and next time, I'd like to go to the Garden Coast of South Africa, in springtime. Maybe it'll happen. Who knows?

Book Report: London Rules

11. Mick Herron, London Rules (2018)

Ha, I see that with the last Slow Horses report, I was also slogging my way through a long nonfiction book (which I also realize I never finished, uh oh). This time, it's a biography of Theodore Roosevelt. Which I am feeling quite happy to get back to now, after this retreat into fantastical fiction. I'm ready again for the real world—though not necessarily the real world I happen to live in. Then again, no, that's not true: the real world I live in is just fine. It's the real world of the headlines that I'd just as soon keep avoiding. (Though today does bring some reasonably good news as the Republicans begin to show a bit of spine. Let's see what happens tomorrow—or just later today . . .)

In any case, back to London Rules, which I thoroughly enjoyed. Mick Herron is a helluva writer, and storyteller. And once again, the TV series with Gary Oldman kept flashing through my head as I read, and once again, I enjoyed the difference between the story on the page and the dramatized screenplay. Also, it helps to be able to "see" the characters so well. 

The story here begins with a terrorist attack in a village in England, and then moves on to other seemingly random acts of violence (including the murder of 18 penguins and an accidental death by falling paint can), which the Slow Horses manage to make sense of—and which point to a leak within the Secret Service itself. Of course, it's not so simple as sabotage, nor is everything under any kind of control. Though things do work out in the end and Jackson Lamb keeps the upper hand. 

And now, back to Teddy, who is about to take a long break in the wilds of "Dakota."