Monday, January 31, 2022

Book Report: The Warmth of Other Suns

2. Isabel Wilkerson, The Warmth of Other Suns: The Epic Story of America's Great Migration (2010) (1/31/22) (BB#1)

A friend of mine a number of years ago asked if I had read this book. He recommended it so highly that I, of course, bought it—but then balked at its length: 545 pages, not including the backmatter. But this year I've decided to read Big Books, so herewith, #1.*

This is an epic story, as the subtitle puts it, and beautifully told, weaving together many, many voices from over the course of the twentieth century, beginning around World War I and bringing us into the early 2000s. As Wilkerson explains it, 

The book is essentially three projects in one. The first was a collection of oral histories from around the country. The second was the distillation of those oral histories into a narrative of three protagonists, each of whom led a sufficiently full life to merit a book in his or her own right and was thus researched and reported as such. [Wilkerson is herself a Pulitzer Prize–winning New York Times journalist, hence "researched and reported."] The third was an examination of newspaper accounts and scholarly and literary works of the era and more recent analyses of the Migration to recount the motivations, circumstances, and perceptions of the Migration as it was in progress and to put the subjects' actions into historical context.

The Great Migration embraces the many millions of African Americans who quit the Jim Crow South in search of a better, safe life with more opportunity. The three main stories that Wilkerson tells are those of Ida Mae Brandon Gladney, who left Chickasaw County, Mississippi, for Chicago in 1937 with her husband, George, and their two young children, after a cousin was almost killed by their "boss man" for allegedly stealing turkeys; George Swanson Starling, who left Eustis, Florida, in 1944 with his wife, Inez, for New York City, after he tried to enlist his fellow orange pickers in demanding decent pay; and Robert Pershing Joseph Foster, a medical doctor by training and a U.S. Army vet, who left Monroe, Louisiana, in 1953, alone (his wife, the daughter of a well-to-do university president, remained with their two children at her parents' home in Atlanta for virtually the first fourteen years of their marriage), to drive across the country to Los Angeles or Oakland, California. Each went on to settle permanently, each with considerable start-up difficulty because of the circumstances surrounding the Depression, World War II, or, simply, their race and background, but each, ultimately, succeeding—if not strictly materially, at least in terms of building a network of friends and family and being loved in their community. 

Speaking of the main conduit from the Deep South north to Chicago and Detroit, Wilkerson writes: 

It would not have occurred to them that they were riding history. They were leaving as a family, not as a movement, on the one thing going north. But as it happened the Illinois Central, along with the Atlantic Coast Line and Seaboard Air Line railroads, running between Florida and New York, and the Southern Pacific, connecting Texas and California, had become the historical means of escape, the Overground Railroad for slavery's grandchildren. It hurtled its passengers along the same route and under the same night sky as the Underground Railroad, the secret network of safe houses leading north that had spirited slaves to freedom the previous century.

Or here is George, who spent his entire career as a porter on the trains that plied the eastern seaboard, observing the passengers in 1947:

It seemed to George that the moment they stepped on the train going north, they became different people, started acting like what they imagined the people of the north to  be. Some started talking their version of a northern accent, sitting up straighter, eating their chicken wings with their pinkie out, becoming more like the place they were heading to. "A lot of them pretending to be always northerners," George said, knowing full well the difference.
     Heading south, it was a quiet and sober train, filled with the people of the North returning home, in their finest suits and hats, and southern visitors having just seen the big city for themselves.
    Heading north, the trains were more festive and anxious, filled with people migrating out with all their worldly goods and the people from the North returning to their adopted cities with all they could manage to take with them that they missed from back home in the South.
     George could tell the people form the North. The bags that were empty heading south were now heavy with ham and hog head cheese and turnip roots and sweet potatoes and any little thing they cherished from back home and had a hard time getting in the North or that, if they could get it in the North, just didn't taste the same.

The tension between the Old Country and the Promised Land, as the South and the North and West came to be called; between African American migrants and native-born northerners of any race or immigrants from Europe and beyond; between the older and younger generations; between hopes and lived reality—and much more—is explored in rich detail. 

It's a remarkable book. I learned so much.

*One lesson I learned, though: I'm going to have to pace myself. Five days ago, I wasn't even halfway through. So the last few days, I've been planted in my chair, reading. It made for a fascinating journey, but I think on the next one I'll try to read a minimum of 30 pages a day—and hopefully more. Or maybe I'll just get sucked in and keep going . . .


Sunday, January 30, 2022

El Anatsui, artist

I learned about El Anatsui from a silly photo game I play on Flickr. The source isn't important—except to note that we can learn about all sorts of fascinating things from the most random of places. Another lesson to keep our eyes open.

El Anatsui is a 77-year-old Ghanaian sculptor who has spent the bulk of his career in Nigeria. He has, as Wikipedia tells us, "drawn particular international attention for his 'bottle-top installations.' These installations consist of thousands of aluminum pieces sourced from alcohol recycling stations and sewn together with copper wire, which are then transformed into metallic cloth-like wall sculptures. Such materials, while seemingly stiff and sturdy, are actually free and flexible, which often helps with manipulation when installing his sculptures."

Here are some of his works:

Old Man's Cloth (2003): a modern interpretation
of Ghanaian kente cloth



Stressed World (2011)

Gravity and Grace (2010)

Logoligi Logarithm (2019)

Gbeze (1979): ceramic and manganese

There are plenty more examples of his work out there. I am very happy to have discovered this playful, innovative artist.


Monday, January 10, 2022

Book covers

I was just looking at an old post of mine, about book covers. It was from 2016. Five years can make a big difference in aesthetic expectations. So I thought I'd see what 2021's choices for "best book covers" were. I actually don't know that they're that "different" from 2016, but they are cool to look at. Here's the New York Times's roundup (the art director's pick):

 Compare with the Washington Post selection:

Clearly, "best" is in the eye of the beholder.

And here's the American Institute of Graphic Artists list of eight.
And the Lithub list of 101.
Curiously, Parade's list of 25 doesn't actually include images, just verbal descriptions. Number 1 goes like this: "From the big bold type to the vibrant use of color, After the Sun by Jonas Eika evokes a lot of emotion and is sure to get the reader’s attention while sitting on the shelf." Seriously?

Anyway, all that subjectivity, of course, got me wondering about the best covers ever, of which I was sure there would be a list. And yes! The internet never disappoints! Here are a few:

The owner of Porter Square Books weighs in with two top-ten lists: one voted on by Pinterest folks, and his very own list. (They do not overlap, and they both are interesting.)

LitHub again weighs in with the 25 Most Iconic book covers (admittedly, not the same as "best"), all of them, I would say, quite dated. But yes, also familiar.

And here are the 50 Coolest Covers from Shortlist, many of which overlap with the Most Iconic.

Here are 20 from Glorify, which seems to be a graphic designers' site—with The Little Prince in number 1 place, which, yeah: I'll go along with that: great, iconic, classic, do-not-mess-with-ever cover.

And finally—because I could go on forever—here is a link to 19 famous book covers and (sort of) the stories behind them. 


Sunday, January 9, 2022

365

Back in the before times, I did four Project 365s—a daily photo for an entire year—on Flickr. 

#1
#2
#3
#4

The last post of #4 was on December 22, 2013. It's been a while. 

Back then, I was actually using cameras some, maybe even most of the time, though soon—after an iPhonography workshop on Molokai—I got deeply into the "grunge" filter of Snapseed. So yeah, there was nothing pure about the project by the end.

After those four photographic forays, I went verbal, with two (and one-third) 365 blog sessions: True Things (2015–16), Hodgepodge (2016–17), and Noticing (2019–2020: 100 entries). 

I find something centering in daily engagement with the world, and active response. Even if it's just for a moment.

Anyway, I haven't had a 365 project of any sort, words or pictures, going since early 2020, and I was feeling a lack. So on the third day of this new year (postdated to the 1st), I started a new photo project. Nothing fancy: mainly, so far, it's just been a scene or something I noticed on my daily walk. The walk itself being a relatively new daily habit. Might as well roll them together.

Here are the first eight photos:

Fremont Peak State Park

Asilomar State Beach

Our neighbor's Grinch

Asilomar again

A work day on the Miller Canyon Trail, off Tassajara Road
—Beth and Steve relaxing before we start our hike out

Our local Frog Pond—there will no doubt be many,
many more photos of this place in this 365

The cyclamen by our front door: end of the walk

Toro Park: 7 miles and 3 geocaches richer
I have a hard time with habits. And then, I also don't. The daily walk, the 365s when I decide to do them: easy enough. But things like meditating or doing daily writing—so hard. What's that about? I don't know. But I do know that I value these 365 records. So yeah: so far, so good. We'll see where this one takes me.


Sunday, January 2, 2022

Book Report: A Trick of the Light

1. Louise Penny, A Trick of the Light (2011) (1/2/22)

After finishing my final—66th—book of 2021, I decided I deserved something undemanding: nothing like a good mystery. A Trick of the Light is the seventh in Penny's Inspector Gamache series, set in the tiny Québec village of Three Pines and involving all of her regular characters, plus a few others both old and new. This story invokes the art world: galleries, dealers, art openings, of course artists—and critics as well, including the one found dead in a flower bed the morning after a party celebrating artist Clara Morrow's grand success at Montréal's Musée d'Art Contemporain. Although the victim's days of critiquing were well behind her, she had hurt, even destroyed the careers of enough people in the past that Gamache's work is cut out for him.

Also entering the story are Alcoholics Anonymous, Humpty Dumpty and the possibility of a great fall, marriages in trouble, frogs in a frying pan, vulnerability and forgiveness, and whether a person can really change. Inspector Jean Guy Beauvoir has thoughts on that last question:

"Listen, people don't change. You think the trout in the [Rivière] Bella Bella are there because they love Three Pines? But maybe next year they'll go somewhere else?" Beauvoir jerked his head toward the river.
     Gamache looked at his Inspector. "What do you think?"
     "I think the trout have no choice. They return because they're trout. That's what trout do. Life is that simple. Ducks return to the same place every year. Geese do it. Salmon and butterflies and deer. Jeez, deer are such creatures of habit they wear a trail through the woods and never deviate. That's why so many are shot, as we know. They never change. People are the same. We are what we are. We are who we are."
     "We don't change?" Gamache took a piece of fresh asparagus.
     "Exactly. You taught me that people, that cases, are basically very simple. We're the ones who complicate it."

The possibility of grace—and of fundamental change—is a theme of this book, whether it's through sobriety and making amends, through patience and faith, through forgiveness of self or other. In the end, although I wasn't necessarily expecting the killer to be who they were, I also wasn't especially surprised. It made sense enough. The twist I did like, though, involved an AA sponsor and his sponsee: a reversal of expectations. Our stories, the details of our lives, can take us down unexpected paths. The book ends on a note of hope.

Saturday, January 1, 2022

2022 resolutions (so to speak)

Resolutions not in the sense of "being a better person" (I've learned that that's not likely to happen). But maybe in the sense of a year-long, home-grown bucket list? In which I can, conceivably, cross off all (ha ha, okay, some?) of the entries that I've achieved? Most of which will be, at least as far as the list is concerned, one-offs? 

The question is, how many enries? I tend to do these lists according to years lived, but surely there should be backward motion at some point. No? Well, okay, I can see if I can come up with a 67-entry list. I can always think small. 

This is, admittedly, a very personal list, but I figure that if I put it here, where it's public, I might actually pay attention and cross things off. I dunno. Let's find out! And maybe along the way I'll "accomplish" other things that should've been on this list, and I can blog about them. Who knows? (Entries that are recurrent are highlighted, for my own wayfinding.)

1. Go hear live music
2. Bake a fresh cherry pie
3. Read 12 books that are over 400 pages long
4. Clean out the garage*
5. Get our NIF (Número de Identificação Fiscal) and bank account set up in/for Portugal
6. Write and send the 100 Lost Spells postcards
7. Catalog (and get rid of?) the CDs
8. Go to the DeYoung Museum once in 2022
9. A road trip—to anywhere—tent camping
10. Two visits to Miller Canyon
11. Early August: Ontario family reunion
12. A Portuguese lesson a day for a month
13. Go to Yosemite
14. Cook up B–F of my national dishes project (A having been Aruba)
15. See an Ecuadorian hummingbird (this is, I hope, a sure thing, but just to keep it in mind)

16. Get curtains for the living room
17. Bake a loaf of sourdough bread
18. Make crêpes (savory, preferably)
19. Complete my eight-day VWR commitment

20. Make a set of artist books with the maps Beth gave me
21. Use Paint Chip Poetry
22. Write and submit an essay or story or poem for publication
23. Average of 60,000 steps a week (make-ups allowed)
24. See Rasa
25. See Rose and Andy
26. See Dorian and Michelle
27. See Tom and Michele
28. See Jim
29. Go to LACMA
30. Review VISA bill and cancel recurring charges that no longer apply
31. Clean out email inbox (on all devices—a herculean task, but whatever: absolutely needs to be done)
32. Donate books to Marina bookstore once a month (months when we're not in-country excused)
33. Do a half-marathon (walk, ride, bike even: 13 miles)
34. Stash another cache [Molly Malone at Asilomar, 1/4; Altura TB Condominium 1/21]
35. Sign up for—and follow—another Ellen Bass poetry session (#1 revision?)
36. Clean the closet—get rid of clothes*
37. Get eyes checked and get glasses
38. Read a book in German
39. I want to say, Go hear Yo-Yo Ma, but we'll need to stay tuned on that one

40. Make five savory pastries from around the world
41. Do three Adventure Labs
42. Have coffee and a pastry at the Big Sur Bakery
43. Visit the Monterey art museum
44. Get dessert at Montrio
45. Dedicate one month to writing a poem (a haiku will do) a day
46. Spend a night at Green Gulch
47. Find a geocache in Ecuador

48. Find a geocache in Portugal

49. Visit the Château de Montaigne, near St-Émilion

50. Use the panini grill
51. Dye hair red, or perhaps aqua, or green, or just splashes of color (this is a big fat dare)
52. Ride my bike sometime in January (target: first week, but I'm allowing wiggle room)
53. Visit Volcano and Christine
54. Read 6 classics? (I do not generally like classics, but surely there are six out there that I might enjoy, or at least feel edified having read? War and Peace would be one, and it also counts as a big book [see #3]; The Great Gatsby; Les Misérables; something by George Eliot, whom I keep seeing being referred to as exceptional; I'd enjoy reading Dracula again; The Count of Monte Cristo; pretty sure Lafcadio Hearn's Japanese Ghost Stories, published in 1904, counts . . . there)
55. Curate Antarctica photos
56. Curate Israel photos
57. Curate England/France photos
58. Curate Italy photos
59. Get all cameras functional
60. Get rid of motorcycle
61. Get rid of photo printer (or get it overhauled and use it)
62. Hang the Killions
63. Meditate every day for a month
64. Finish Stiens historie
65. Backpack locally, with Milo
66. Farmers market once a month
67. Make blueberry scones

* Ha ha ha! But at least I can get in there once in a while—every week?—and make a dent. We have the idea of moving to Portugal, so really clearing out all our stuff is a serious goal.