11. Miné Okubo, Citizen 13660 (1946/1983) (6/21/18)
This book, a "graphic memoir," chronicles two years during World War II, when people of Japanese ancestry, two-thirds of whom were American citizens, were rounded up and sent to concentration camps. Okubo was an artist, and her account features 200 pen-and-ink drawings—she was never without her sketchbook—of daily life in the camps (first Tanforan, south of San Francisco—a racetrack; then Topaz in northern Utah), accompanied by usually spare, matter-of-fact captions. The book's title comes from the number she and her brother, Benji—her family unit—were assigned.In this book we learn about the removal of Japanese Americans on the West Coast into "protective custody" after Pearl Harbor; the conditions in the camps; how people made do, such as making furniture out of scrap wood and planting "victory gardens" in the dry desert of Utah; daily activities and hardships (there was a lot of standing in line, and always dust blowing). Okubo expresses no bitterness in these vignettes, but focuses on objective observation. Interestingly, she includes herself in each frame, underscoring her role as a participant narrator. Despite the unjustness of the incarceration, what shines through in her drawings and text is the indomitability of the human spirit.
Our friends came to take us to the Civil Control Station. We took one last look at our happy home. |
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